HTML
pdf english
FLIP
XML (Español (España))
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Abstract
This article analyzes the use of color in illustrations and images from classic fairy tales and their relationship with human rights, introducing the concept of color transversality as a tool to understand the chromatic narrative as a means of conveying ideas in these types of images. These stories belong to popular culture
with pedagogical purposes that are often no longer applicable to the new reality. By perpetuating messages from the past, these stories teach relationships and concepts that are no longer applicable or should not be considered from a legal perspective when we consider human rights. This study uses the images of Disney's
1937 Snow White and 1951 Alice in Wonderland as references. The color in these images is analyzed through their social associations and meanings, conducting an exploratory and holistic investigation that includes an aesthetic, artistic, social, and legal perspective. The study proposes a flow of color information through chromatic relationships and connections generated through color transversality over time affecting how we
perceive society and how we relate to it. In recent decades, visual readings of these stories have retained some colored messages related to their original meanings. These meanings can emphasize or attenuate perceptions that can alter our vision of some of the fundamental pillars of our society, such as human rights to equality
or freedom, among others. This article exemplifies how the chromatology of illustrations in these types of stories has its narrative that can affect our view of society. Using color transversality, it proposes a reflection on the context of the image and its chromatic impact in the 21st century.
Keywords:
References
“Visible Thinking | Project Zero”, s. f. https://pz.harvard.edu/projects/visible-thinking. Arcas, Marc. “Latinoamérica, fuente de inspiración para el arte de los clásicos de Walt Disney.” elEconomista.es, 2014.
Benjamin, Walter. La obra de arte en la época de la reproducibilidad técnica. Madrid: Taurus, 1982.
Bettelheim, Bruno. Psicoanálisis de los cuentos de hadas. Booket, 2013. Brusatin, Manlio. Historia de los colores. Barcelona: Ediciones Paidós, 1987.
Carrere, Alberto, and José Saborit, J. Retórica de la pintura (Signo e imagen). Madrid: Cátedra, 2000.
Cavazotti Aires, Diogo. “Chile, Colombia y Ecuador: educación sexual en convenciones internacionales e iniciativas estatales.” Novum Jus 15, no. 2 (2021): 55-89. https://doi.org/10.14718/NovumJus.2021.15.2.3.
Chatman, Seymour. Story, and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell University Press, 1978.
Del Arco Santiago, Iván. “Simbolismo y funcionalidad arquitectónica en dos mitos: Blancanieves y Walt Disney.” Culturas Populares. Revista Electrónica 5 (2007), 19. Eling, Paul. After Rouge. Rotterdam: Piet Zwart Institute, 2004.
Ferrer, Eulalio. Los lenguajes del color. Ciudad de México: Instituto Nacional de Bellas Artes, Fondo de Cultura Económica, 1999.
Flueckiger, Barbara. Timeline of Historical Film Colors. Filmcolors.org, 2012.
Foucault, Michel. “El sujeto y el poder.” Revista Mexicana de Sociología 50, no. 33-20 (1991).Gage, John. Color and Culture: Practice and Meaning from Antiquity to Abstraction. London: Thames and Hudson, 1993.
Gama, Luis Eduaro. “Arte y política como interpretación.”, Revista de Estudios Sociales, no. 35 (2009): 99-111. Garau, Agusto. Color Harmonies. Chicago: The University of Chicago Press, 1993.
Glover, Jonathan. Humanidad e inhumanidad. Una historia moral del siglo XX. Madrid: Cátedra, 2001.
Grimm, Jacob and Wilhelm Grimm. Cuentos de los Hermanos Grimm. San José: Imprenta Nacional, 2013.
Héller, Eva. Psicología del color: Cómo actúan los colores sobre los sentimientos y la razón. Barcelona: Gustavo Gili, 2020.
Hernandez Contreras, Jeice Dayanna. “La transversalidad del color.” En IV Congreso Internacional de Investigación en Artes Visuales: ANIAV 2019 Imagen [N] visible, editado por Editorial Universitat Politècnica de València, 2019.
Hernandez, Jeice Dayanna. “El color como medio activo, transversal y directo en la ilustración de Folk Tales,” in V Congreso Internacional de Investigación en Artes Visuales ANIAV 2022. RE/DES Conectar2022, editado por Universidad Politècnica de València, 2022. https://doi.org/10.4995/aniav2022.2022.15583.
Hernandez, Jeice Dayanna. “El color como medio narrativo en la ilustración de cuentos clásicos.” GKA VISUAL (2020c): 251-258.
Hernández, Jeice, Daniel Torres Ardila, y Edwin Camargo. “Digital era in times of pandemic: education, color, knowledge, and communication.” Utopía y Praxis Latinoamericana 25, no. 1 (2020): 216-230. https://produccioncientificaluz.org/index.php/utopia/article/view/34171.
Hernández, Jeice. “El color como medio activo, transversal y directo en la ilustración de Folk Tales.” En V Congreso Internacional de Investigación en Artes Visuales ANIAV 2022. RE/DES Conectar2022, editado por Universidad Politècnica de València, 2022. https://doi.org/10.4995/aniav2022.2022.15583.
Hernández, Jeice. “El reto de la cuarta revolución industrial en Colombia: datos, diseño y artes.” Colombia 4 (2020): 153.
Hernández, Jeice. “La transversalidad del color y su papel comunicador en las imágenes visuales, de la literatura a la imagen actual del cuento clásico Blancanieves.” Revista Kepes 17, no. 21 (2020): 171-194.
Kalmus, Natalie. “Colour consciousness.” Journal of the Society of Motion Picture Engineers, agosto de 1935: 139-147.
Kestner, Joseph A. “Lewis Carroll and the Problem of Nonsense.” The Journal of Aesthetics and Art Criticism 47, no. 2 (1989): 143-150. www.jstor.org/stable/431769.Lerer, Seth. La magia de los libros infantiles: De las fábulas de Esopo a las aventuras de Harry Potter. Barcelona: Ares y Mares, 2009.
Lurie, Alison. Don’t Tell the Grown-ups: Subversive Children’s Literature. Little, Brown and Company, 1974.
Míguez, Marina. “De Blancanieves, Cenicienta, y Aurora, a Tiana, Rapunzel y Elsa: ¿qué imagen de la mujer transmite Disney?” Revista Internacional de Comunicación y Desarrollo 1, no. 2 (2015): 41-58.
Paredes, David. “De la estetización de la política a la política estética.” Revista de Estudios Sociales 34 (2009): 91-98.
Pastoureau, Michel. Los colores de nuestros recuerdos. Cáceres: Editorial Periférica, 2017.
Perafán del Campo, Eduardo Andrés. “Estética, ideología y espacio público.” Utopía y Praxis Latinoamericana 25, no 4 (July, 2020): 65-83.
Perafán del Campo, Eduardo Andrés. 2019. «La desigualdad como experiencia estética: una corta reflexión para la sociología jurídica y política». Novum Jus 13, no. 1 (2019):7-10.
Pérez, Paula, Becerra, Jairo and Julián Rodríguez. “The Colombian Freedom of Information Act Using Media Literacy to Understand and Implement the Law.” In Media Literacy in a Disruptive Media Environment, ed. by William G. Christ y Belinha S. de Abreu, 217-238. New York: Routledge, 2020.
Poisoned apple by fdasuarez on DeviantArt. October 25, 2011. DeviantArt. Accessed May 4, 2023. https://www.deviantart.com/fdasuarez/art/Poisoned-apple-265145500.
Propp, Vladimir. Las raíces históricas del cuento, 4th ed. Madrid: Editorial Fundamentos, 1984.
Rodríguez, Julián, y Andrew M. Clark. “Big data y periodismo: cómo el periodismo estadounidense está adoptando el uso de big data.” Novum Jus 15, no. 1 (2021): 69-89. https://doi.org/10.14718/NovumJus.2021.15.1.4.
Zipes, Jack. El irresistible cuento de hadas: Historia social y cultural de un género. Buenos Aires: Fondo de Cultura Económica, 2014
##submission.citations.for##
